(Boston Art Club, 1925), cat. 23, as Femme devant un aquarium. Boston Art Club, Birch-Bartlett Collection of Modern French Paintings, exh. cat.(Minneapolis Institute of Arts, 1925), cat. 21, as Goldfish Bowl. Minneapolis Institute of Arts, Exhibition of Modern French Paintings from the Birch-Bartlett Collection, exh. cat.Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 169, cat. 2291, as Femme Devant un Aquarium.P., “Modern French Paintings: The Birch-Bartlett Collection,” Bulletin of the Art Institute of Chicago 17, no. 7 (Oct. Matisse / Artists Rights Society (ARS), New York Extended information about this artwork (circa) or BCE.ġ921–1923 Medium Oil on canvas Inscriptions Signed, l.r.: "Henri Matisse" Dimensions 81.2 × 100.2 cm (31 15/16 × 39 7/16 in.) Credit Line Helen Birch Bartlett Memorial Collection Reference Number 1926.220 Copyright © 2018 Succession H. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Status On View, Gallery 394 Department Modern Art Artist Henri Matisse Title Woman before an Aquarium Place France (Artist's nationality:) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. In Woman before an Aquarium, the carefully subdued decorative pattern of the screen contributes to the psychologically rich, contemplative mood of this interior scene. Years later while living in Nice, France, Matisse reflected on these experiences, integrating visual elements he encountered, such as the patterned textile screen, into his paintings. In the first two decades of the 20th century, Henri Matisse visited exhibitions of Islamic art and traveled to Algeria and Morocco, where he collected pottery, textiles, and tiles.
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